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Your Source For Jazz Composition

Upon listening to Tree Frog in the 1980s, I began a quest to find the composer who wrote each of the distinctive passages in the song. It led me to Bill Holman. What waited was an abundance of jazz compositions and arrangements by one of America's best Big Band composers ... and a source of inspiration for my own work.

You too can write compositions like Bill Holman. All you need to do is proceed through each of the 60 lessons [20x3] accessible from the main menu (upper right side). Not all of Holman's compositions were a success and neither will some of yours -- but over time, your writing will improve. No one can become a success overnight.



Bill Holman

Willis Leonard Holman (born May 21, 1927), also known as Bill Holman, is an American composer/arranger, conductor and tenor saxophonist working primarily in the jazz idiom. Holman is best known as an arranger. Around 1951, Holman was auditioned by Stan Kenton and hired as a tenor sax player. Attracted to Hol- man's ability to integrate counterpoint and dissonance, Holman became Kenton's chief arranger and wrote much of Kenton's 1950s repertoire. Below are examples of his work.

1. Theme and Variations
2. Solo For Buddy
3. Artistry in Arranging (A Tribute)
4. Fearless Findlay



The Art of Jazz Composition (PDFs)

Basic Intermediate Advanced
Guide to Songwriting Jazz It Up! John Coltrane: Giant Steps
The Basics of Jazz Be-Bop Scale Basics Arranging by Examples
Chord Progressions 1 Jazz Guitar Rhythm Chops Melodic Structures
Chord Progressions 2 Principles of Counterpoint Linear Improvisation
Jazz Guitar Chords Jazz Theory Solo Jazz Piano

Comments

  • Avatar Blake wrote:
    July 10, 2012 at 12:47 pm

    I would like to learn more about tri-tone substitutions and how they can be used to improve a composition. I know they are used in classical music. How are they applied in the jazz idiom?

  • Avatar Ian wrote:
    September 20, 2012 at 7:30 am

    I must have developed some sort of mental block; I can't get past the two verses of my composition. Could someone look at it and suggest how it could be continued? I think a change in modulation might be in order.

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Music Resources

No musician is ready to write compositions without his/her source of references.

We'd be amiss not to tell you about our monthly newsletter. In it, you will find all kinds of inspiration. Why not borrow from some of the great composers of our time. They did. Why shouldn't you? Composers like Beethoven, Paul McCartney, Duke Ellington and Elton John may lead you in a different direction -- that you never thought you'd go down. You can even learn from Mozart.

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